propositions "BON VOYAGE" IN SERBIAN

APLIKACIJA ZA POSTAVKU FOTOGRAFIJA

 

1.ОРГАНИЗАТОР:
Центар за културу града Зајечара и Фото клуб 202 – Зајечар
4. ИЗЛОЖБА ФОТОГРАФИЈЕ „СРЕЋАН ПУТ 2018“ ЗАЈЕЧАР
2. УЧЕШЋЕ:
Право учешћа имају фотографи из целог света.
3. СЕКЦИЈЕ И ТЕМЕ
     тема А) ПУТОВАЊА – (колор или монохром)
     тема Б) ПРИРОДА (колор или монохром)
     тема В) ПОРТРЕТ – (колор или монохром)
     тема Г) ЖИВОТ УЛИЦЕ – (колор или монохром)
     тема Д) СЛОБОДНА – (монохром)
     тема Ђ) СЛОБОДНА – (колор)
4. БРОЈ РАДОВА:
За учешће на салону фотографије „СРЕЋАН ПУТ 2018“ аутори конкуришу са црно-белим или колор фотографијама. Максимални број радова је четири (4) фотографије по теми, максималне димензије 2000 пиксела по дужој страни фотографије у 300 дпи ЈПГ, компресија 70-10. Максималне величине до 2 мегабајта по фотографији. Фотографије морају бити обележене, редни број и назив фотографије. Пример за тему А1 - (Воркерс 02.јпг) за тему Б1 (Рефлецтион.јпг) итд
Сваки аутор на свом е-маилу добија своје личне резултате-оцене, са сваке излозбе посебно.
5. КОТИЗАЦИЈА:
Котизација је обавезна за све учеснике изложбе и кошта 20, 25 или 27 евра , за чланове ФСС-а 2500 динара. Котизација је јединствена за све теме и за сва 3 клуба, односно за све 3 изложбе. Котизација се може уплатити и путем PayPal или Moneybookers (који прима кредит кард -VISA, MASTER CARD, AMEX, JCB i DINERS картице. Динарски жиро рачун 160-353153-51. Сва упутства су на сајту клуба www.photoclub202.com Радови аутора који не уплате котизацију неће бити жирирани. Учешћем на конкурсу, аутор се слаже са пропозицијама и правилима организатора.
6. К А Т А Л О Г
Фотографије се користе само за израду каталога. Аутори који су платили котизацију и учествују на овај кружни салон, обавезно добијају високо квалитетан каталог штампан на папиру. Каталог је формата 240мм x 170мм са 100 страница, луксузно опремљен, оцењен од ФИАП комисије са 4 звездице.
7. КАЛЕНДАР ИЗЛОЖБЕ:
Пријем радова ......................................... 20 јули 2018
Жирирање ................................................ 01 - 03 август 2018
Објава резултата жирирања (на сајту) .. 13 август 2018
Изложба ..............................……………..15 - 25 септембар 2018 - Зајечар / Србија
Достава каталога ..................................... 19 октобар 2018
Резултати се могу видети на страници: www.photoclub202.com
8. ДОСТАВЉАЊЕ РАДОВА:
аплоуд на сајту: www.photoclub202.com nа емаил This email address is being protected from spambots. You need JavaScript enabled to view it.
или слати ЦД на АДРЕСУ:
Раша Милојевић,COLOR 202, Трг ослобођења бб,19000 Зајечар, Србија
9. КОНТАКТ:
Раша Милојевић, тел: 065 24 24 202, е-маил: This email address is being protected from spambots. You need JavaScript enabled to view it.
10а. ЖИРИ:
Мустафа Муеззиноглу, АФИАП (Кипар)
Зоран Мојсин, ЕФИАП (Србија)
Драган Илић, ФА2ФСС, сликар, (Србија)
делегат ФСС: Маја Аранђеловић

 
 

PROPOSITIONS exhibition "BON VOYAGE 2018"

 

 fiap-znak   psa-znak   LOGOTYPE 1 
 fss-znak 
LOGO ICS

 

2018/413
 
PSA Recognition
2018 / 282 - Bon Voyage
L180050 GPU_Salon_License_master
circuit BON VOYAGE 2018
 
Patronage
2018/49
ICS 2018/160.SP

 

 
 
 

3dflags_srb0001-000ea

PROPOSITIONS IN SERBIAN

uk-small

PROPOSITIONS IN ENGLISH

 

 

   

 

 

 

PROPOSITIONS "BON VOYAGE 2018" IN ENGLISH

 
 

 

4th EXHIBITION OF PHOTOGRAPHY ”BON VOYAGE 2018”
 
 
1.ORGANIZER:
Photo Club 202 – Zajecar / Serbia
2. PARTICIPATION
The exhibition is open to anyone; however, an entry may be rejected when the sponsoring organization or its agent, in its reasonable discretion, believes the entry does not conform to the exhibition rules and conditions.
Entries are limited to not more than 4 images per section, category, or class. An entrant’s images will not be presented to the judges consecutively. An entrant’s four images will be distributed throughout four rounds of judging in each section. Distribution of images shall be in the same round order as submitted by the entrant.
Entries must originate as photographs (image-captures of objects via light sensitivity) made by the entrant on photographic emulsion or acquired digitally. By virtue of submitting an entry, the entrant certifies the work as his own (aliases are not permitted). The entrant permits the sponsors to reproduce all or part of the entered material free of charge for publication and/or display in media related to the exhibition. This may include low resolution posting on a website. Note: Entrants who indicate that their images may not be reproduced or used “will not be eligible for awards” or inclusion in audio-visuals of the exhibition “and could be subject to disqualification” by the exhibition sponsors.
The exhibition assumes no liability of any misuse of copyright. Images may be altered, either electronically or otherwise, by the maker. All final work must be on photographic film, or on electronic file, or on photographic or electronic print material, mounting excepted, subject to Nature, Photo Travel and Photojournalism divisional restrictions.
No title or identification of the maker shall be visible anywhere on the face of an image, print mat or mount entered in a PSA Recognized exhibition.
Each image must have a unique title. Once an image has been accepted in a PSA Recognized exhibition, that same image, or a like “in camera” or a “reproduction”
duplicate of that image:
i. May not be re-entered in any section of the same Division Star Ratings class in that exhibition regardless of media, format, or title.
ii. May not be re-titled for entry in any other PSA Recognized exhibition.
Words such as “Untitled” and “No Title” are not acceptable as part or all of an image’s title, nor are camera capture filenames.
BREACH OF CONDITIONS OF ENTRY
If the exhibition determines before, during, or after the judging that an entrant has submitted entries where one or more images fail to comply with these Conditions of Entry, including the stated definitions, the exhibition reserves the right and discretion to delete the entry from the exhibition and void any or all acceptances or awards. Fees may be forfeited in these circumstances.
In order to ensure that images comply with the Conditions of Entry and definitions, the exhibition may carry out checks on the images to make sure that:
a) the images are the original work of the entrant and
b) the images comply with the rules and definitions as set out in these Conditions of Entry.
This may involve asking the entrant to provide originally captured image(s), with EXIF data intact, by a set deadline. The questioned image(s) of any entrant failing to comply with such a request for the original image(s) may be considered in breach of these Conditions of Entry, and declined. Such entries may be referred to PSA for further investigation of possible ethics violations. PSA retains the right to investigate in any way all complaints/suspicions of breaches of entry conditions, impose sanctions if deemed necessary, include the entrant’s name on the list of sanctions provided to Exhibitions, and share such investigations with FIAP.
Entrants automatically agree to these terms by the act of entering the Exhibition.
I – Acceptances in PID recognized Color sections shall be credited towards PID Color Star Ratings and Who’s Who Color listings. Monochrome images accepted in PID recognized Color sections shall only be credited towards PID Color Star Ratings.
II – Acceptances in PID recognized Monochrome sections shall be credited towards PID Monochrome Star Ratings and Who’s Who Monochrome listings.
3. THEME
    Theme А) TRAVEL - (color or monochrome) Travel PSA Recognition
     Theme B) NATURE – (color or monochrome) Nature PSA Recognition
     Theme B) PORTRAIT – (color or monochrome) PID PSA Recognition
     Theme C) LIFE ON STREET - (color or monochrome) PID color PSA Recognition
     Theme D) FREE - (monochrome) PID monochrom PSA Recognition
     Theme E) FREE - (color) PID color PSA Recognition
4. NUMBER OF WORKS
In order to participate in the “BON VOYAGE 2018”, the authors apply with monochrome and color photos. Maximum number of works is four (4) images per section, the maximum dimensions 1920 pixels horizontal x 1080 vertical, 300 dpi JPG compressions 7-10. The maximum total size must not exceed 2 megabytes. An entrant’s four images will be distributed throughout four rounds of judging for that section. Samsung 5100 Class Full HD 40", 1920x1028 will be used to display the images to the judges. Each image must have a unique title. Once an image has been accepted in a PSA Recognized exhibition, that same image, or a like “in camera” or a “reproduction” duplicate of that image:
I. May not be re-entered in any section of the same Division Star Ratings class in that exhibition regardless of media, format, or title.
II. May not be re-titled for entry in any other PSA Recognized exhibition.
Words such as “Untitled” and “No Title” are not acceptable as part or all of an image’s title, nor are camera capture filenames or titles consisting of only numbers. No title or identification of the maker shall be visible anywhere on the face of an image, print mat or mount entered in a PSA Recognized exhibition. All entrants in must provide name and country data exactly the same in each exhibition entered to receive proper credit
Each author receives his/her own results-marks separately for each exhibition via his/her personal e-mail.
5. PARTICIPATION FEE:
     Participation fee for 1 - 2 theme is 20 euros (27$)
     Participation fee for 3 - 4 theme is 25 euros (33$)
     Participation fee for 5 - 6 theme is 27 euros (35$)
for PHOTO ASSOCIATION OF SERBIA members 20 euros (2500 dinars).
For CLUBS (10 or more by participants) is 18 euros (22$) per author. Discount all 6 subjects.
The fee can be paid via PayPal (the following cards are accepted: VISA, MASTER CARD, AMEX, JCB and DINERS). Dinar gyro account is 160-353153-51. All instructions can be viewed at the official website of the club www.photoclub202.com The works of the authors who do not pay the participation fee will not be taken into consideration. By participating in the competition, the author accepts the propositions and the rules of the organizer.
6. CATALOGUE
Photos are used only for creation of the Catalogue. The authors who have paid the participation fee and participate in this circular exhibition receive high-quality catalogue printed on PDF. The format of the Catalogue is 240mm x 220mm with 160 pages,
7. THE EXHIBITION CALENDER:
Receiving images 20 July 2018
Judging 01 – 03 August 2018, Serbia, (Club premises!)
Selection results (at the website) 13 August 2018,
Exhibition / Projection 15-20 September 2018, Gallery city Museum Zajecar “RADUL BEGOV KONAK”
Delivery of the Catalogue and Awards 19 October 2018
The results can be seen at the website: www.photoclub202.com
8. SUBMISSION OF WORKS:
Upload at the website: www.photoclub202.com or send by e-mail to This email address is being protected from spambots. You need JavaScript enabled to view it. , or send a CD to the following address:
Rasa Milojevic, FOTO CLUB 202, Trg Oslobodjenja bb, 19000 Zajecar, Serbia.
9. CHAIRMAN EXHIBITIONS AND CONTACT:
Rasa Milojevic, tel: 065 2424 202, e-mail: This email address is being protected from spambots. You need JavaScript enabled to view it.
10a. JURY:
    Bojan Ivanov, photographer, (Bulgaria)
    Milos Milojevic, photographer, (Serbian)
    Dragan Ilic, FA2FSS, painter, (Serbian)
    Zoran Purger, AFIAP, MF FSS, (Serbia)
    Maja Stosic, EFIAP, KMF FSS, (Serbia)
10b. AWARDS:
FIAP best by badge
A) TRAVEL - (color or monochrome)
PSA, FIAP, FSS, gold medal, - TWO praises FIAP, FSS, and GPU, One PSA HM Ribbons - SALON gold, silver, bronze and 3 praises
B) NATURE - (color or monochrome)
PSA, FIAP, FSS, gold medal, - TWO praises FIAP, FSS, and GPU, One PSA HM Ribbons - SALON gold, silver, bronze and 3 praises
C) PORTRAIT - (color or monochrome)
PSA, FIAP, ICS, gold medal, - TWO praises FIAP, FSS, and GPU, One PSA HM Ribbons - SALON gold, silver, bronze and 3 praises
D) LIFE ON STREET - (color or monochrome)
PSA, FIAP, ICS, gold medal, - TWO praises FIAP, FSS, and GPU, One PSA HM Ribbons - SALON gold, silver, bronze and 3 praises
E) FREE - (monochrome)
PSA, FIAP, GPU, gold medal, - TWO praises FIAP, FSS, and GPU, One PSA HM Ribbons - SALON gold, silver, bronze and 3 praises
F) FREE - (color)
PSA, FIAP, GPU, gold medal, - TWO praises FIAP, FSS, and GPU, One PSA HM Ribbons - SALON gold, silver, bronze and 3 praises
 

FIAP AND PSA DEFINITIONS
All entries shall conform to the stricter of these definitions for acceptances to bevalidated by all the International Organizations granting recognition orpatronage.
 
FIAP Definitions
 
FIAP Definition of the Black and White Photography (monochrome)
 
This definition supersedes the Document 223 and the INFO 1991/12.A black and white work fitting from the very dark grey (black) to the very clear grey (white) is a monochrome work with the various shades of grey. A black and white work toned entirely in a single color will remain a monochrome work able to stand in the black and white category; such a work can be reproduced in black and white in the catalogue of a salon under FIAP Patronage. On the other hand a black and white work modified by a partial toning or by the addition of one color becomes a color work (polychrome) to stand in the color category; such a work requires color reproduction in the catalogue of a salon under FIAP Patronage.
 
"With the sole act of submitting his/her images or files to a salon under FIAP Patronage, the entrant accepts without exception and with no objection that the submitted images can be investigated by FIAP to establish if these obey to FIAP regulations and definitions even if the entrant is not a member of FIAP; that FIAP will use any means at its disposal for this undertaking; that any refusal to cooperate with FIAP or any refusal to submit the original files as captured by the camera, or failure to provide sufficient evidence, will be sanctioned by FIAP and that in case of sanctions following the non-compliance with FIAP regulations, the name of the entrant will be released in any form useful to inform the breaches of the rules. It is recommended to leave the EXIF data in the submitted files intact in order to ease eventual investigations."
 
PSA, FIAP, and RPS Nature Definition as of 1 January 2016
 
Nature photography is restricted to the use of the photographic process to depict all branches of natural history, except anthropology and archeology, in such a fashion that a well-informed person will be able to identify the subject material and certify its honest presentation. The story telling value of a photograph must be weighed more than the pictorial quality while maintaining high technical quality. Human elements shall not be present, except where those human elements are integral parts of the nature story such as nature subjects, like barn owls or storks, adapted to an environment modified by humans, or where those human elements are in situations depicting natural forces, like hurricanes or tidal waves. Scientific bands, scientific tags or radio collars on wild animals are permissible. Photographs of human created hybrid plants, cultivated plants, feral animals, domestic animals, or mounted specimens are ineligible, as is any form of manipulation that alters the truth of the photographic statement. No techniques that add, relocate, replace, or remove pictorial elements except by cropping are permitted. Techniques that enhance the presentation of the photograph without changing the nature story or the pictorial content, or without altering the content of the original scene, are permitted including HDR, focus stacking and dodging/burning. Techniques that remove elements added by the camera, such as dust spots, digital noise, and film scratches, are allowed. Stitched images are not permitted. All allowed adjustments must appear natural. Color images can be converted to greyscale monochrome. Infrared images, either direct captures or derivations, are not allowed.
 
Images entered in Nature sections meeting the Nature Photography Definition above can have landscapes, geologic formations, weather phenomena, and extant organisms as the primary subject matter. This includes images taken with the subjects in controlled conditions, such as zoos, game farms, botanical gardens, aquariums and any enclosure where the subjects are totally dependent on man for food.
 
PSA Definitions
 
General:
Entries must originate as photographs (image-capture of objects via light sensitivity) made by the entrant on photographic emulsion or acquired digitally. By virtue of submitting an entry, the entrant certifies the work as his/her own and permits the sponsors to reproduce all or part of the entered material free of charge for publication and / or display in media related to the exhibition. This may include low resolution posting on a website. The exhibition assumes no liability for any misuse of copyright.
 
Monochrome:
An image is considered to be Monochrome only if it gives the impression ofhaving no color (i.e. contains only shades of gray which can include pure blackand pure white) OR it gives the impression of being a greyscale image that has been toned in one color across the entire image. (For example by Sepia, red,gold, etc.) A greyscale or multi-colored image modified or giving the impressionof having been modified by partial toning, multi-toning or by the inclusion of spotcoloring does not meet the definition of monochrome and shall be classified as a Color Work.
 
All entries shall conform to the stricter of these definitions for acceptances to be validated by all the International Organizations granting recognition or patronage.
 
Photo Travel:
“A Photo Travel image expresses the characteristic features or culture of a land asthey are found naturally. There are no geographic limitations. Images from events oractivities arranged specifically for photography, or of subjects directed or hired forphotography are not appropriate. Close up pictures of people or objects must includefeatures that provide information about the environment. Techniques that add,relocate, replace or remove any element of the original image, except bycropping, are not permitted. The only allowable adjustments are removal of dustor digital noise, restoration of the appearance of the original scene,and complete conversion to greyscale monochrome. Other derivations,including infrared, are not permitted. All allowed adjustments must appearnatural. “